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Track 21

 Container

Contains 4 Results:

"Art" 1/30/76 Side 1, Part 1., 1976

 Item — track: 21
Scope and Contents Pem is talking to a man named Don, who began to work with Phil in February of 1936 in Philadelphia. He says he was originally interested in the music of television but became more interested in radio electronics over time. He talks about working with John Stagnaro on a couple of projects, included a guided missile, although it was not frequently used. He first...
Dates: 1976

"Art" 1/30/76 Side 1, Part 2., 1976

 Item — track: 21
Scope and Contents He notes that the biggest reason that color TV had improved dramatically was due to the improvement of the lenses, not of the tubes in the television itself. He describes the filming of a space launch. They had to record it in case something went wrong because they did not want to broadcast a failed launch. At that time video tape recorders were just becoming available. He says he was able to work...
Dates: 1976

"Art" 1/30/76 Side 2, Part 1., 1976

 Item — track: 21
Scope and Contents He tells a story of being in China and being told to move their camera after a telephone pole partially obstructed a giant portrait of Chairman Mao. He also recounts his experiences working with the Japanese government and different Japanese companies. She says that Phil was very excited to work with him because of his broad range of interests. They talk about some...
Dates: 1976

"Art" 1/30/76 Side 2, Part 2., 1976

 Item — track: 21
Scope and Contents The name of the track is the same but I don't believe that the man on the other tapes is the same as the man on this one. He sounds different. He describes a situation where they were trying to have a new metal piece built and they visited many metallurgists who after charging a consulting fee were all unable to do it. They finally asked a local company that had done some work for them and they...
Dates: 1976