Box 44
Container
Contains 20 Results:
Postcards, circa 1932
File — Box: 44, Folder: 1
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
circa 1932
Map of Berlin, 1933
File — Box: 44, Folder: 2
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1933
Johann Sebastian Bach, Sketchbook of His Home
File — Box: 44, Folder: 3
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1890s-1990s
Johann Wolfgang Von Goethe, Sketchbook of His Home
File — Box: 44, Folder: 4
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1890s-1990s
"Die Wartburg"
File — Box: 44, Folder: 5
Scope and Contents
This booklet describes the place where Martin Luther translated the Bible into German and, as legend says, where he threw his inkstand at Satan.
Dates:
1890s-1990s
Receipts, 1933
File — Box: 44, Folder: 6
Scope and Contents
These relate to Robertson's hospitalization in Berlin.
Dates:
1933
Hamburg-American Line, Dinner Menu, 1933
File — Box: 44, Folder: 7
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1933
Notes, 1932
File — Box: 44, Folder: 8
Scope and Contents
These discuss Robertson's first lesson with Bloch in Switzerland.
Dates:
1932
Letter of Recommendation from Hugo Leichtentritt, 1933
File — Box: 44, Folder: 9
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1933
Documents, 1932-1933
File — Box: 44, Folder: 10
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1932-1933
"Zwei Skizzenbucher Von Beethoven", 1924
File — Box: 44, Folder: 11
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1924
Check and Receipts, 1934-1940
File — Box: 44, Folder: 12
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1934-1940
News Clippings, 1935, 1938
File — Box: 44, Folder: 13
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1935; 1938
"Organ Sonata," Programs and Letter, 1934-1936
File — Box: 44, Folder: 14
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1934-1936
"Quintet for Piano and Strings", 1936-1957
File — Box: 44, Folder: 15
Scope and Contents
Correspondence, contract, news clippings, reviews, programs, and notes are in this folder.
Dates:
1936-1957
Studies with Schonberg and Totenberg, Notes and Letter, 1936-1937
File — Box: 44, Folder: 16
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1936-1937
Chamber Music Recital Programs, 1930s
File — Box: 44, Folder: 17
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1930s
BYU Symphony Orchestra, Correspondence and Programs, 1936-1940, 1990
File — Box: 44, Folder: 18-19
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1936-1940; 1990
Beethoven's Symphony No. 3, Notes and Typescript, 1939
File — Box: 44, Folder: 20-21
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1939
Lawrence Sardoni, "Eroica", 1939
File — Box: 44, Folder: 22
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the...
Dates:
1939