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Box 40

 Container

Contains 19 Results:

Biographical Notes

 File — Box: 40, Folder: 1
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

Robertson's Anaylsis of "Trilogy"

 File — Box: 40, Folder: 2
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

Robertson's Analysis of Beethoven's First and Third Symphonies

 File — Box: 40, Folder: 3
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

Statement on the Rules of Music

 File — Box: 40, Folder: 4
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

Leroy Robertson, "Instrumental Combinations and Their Relation to Music", 1932

 File — Box: 40, Folder: 5
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1932

Music Education

 File — Box: 40, Folder: 6
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

William Billings, BIography

 File — Box: 40, Folder: 7
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

P. A. Christensen, Essay and Correspondence, 1968-1969

 File — Box: 40, Folder: 8
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1968-1969

Leroy Robertson, "Creativity in Music"

 File — Box: 40, Folder: 9
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

Studies at the University of Southern California, 1946

 File — Box: 40, Folder: 10
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1946