Box 28
Container
Contains 10 Results:
Copyrights
File — Box: 28, Folder: 1-2
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1890s-1990s
Creativity Institute for Basic Research in the Arts and Humanities, 1963-1965
File — Box: 28, Folder: 3
Scope and Contents
Institute held at University of Utah, Leroy J. Robertson participating.
Dates:
1963-1965
Gabbrielli Viola, 1958
File — Box: 28, Folder: 4
Scope and Contents
Correspondence of Leroy J. Robertson and President A. Ray Olpin relating to teh transfer of the Gabbrielli viola to the University of Utah as a gift from Mre. Joseph P. Bay of New York City; transfer arranged by Hans Weisshaar and C. M. Paul; photographs of Gabrielli viola; news clipping announcing acceptance of the viola by the University of Utah.
Dates:
1958
Income Tax Case, 1947-1952
File — Box: 28, Folder: 5
Scope and Contents
Correspondence between Leroy J. Robertson and his attorneys, Samuel E. Blackham and Clyde D. Sandgren, regarding income tax on the $25,000 Reichhold Award; copy of tax return filed for 1946; brief for petitioner for Supreme Court of the United States, Leroy J. Robertson v. United States; federal supplement (cases argued and determined in United States District Court and United States Court of Claims) for Robertson vs. United States, page 660.
Dates:
1947-1952
Leroy J. Robertson Foundation
File — Box: 28, Folder: 6
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1890s-1990s
"Music in America", 1951
File — Box: 28, Folder: 7
Scope and Contents
Robertson's manuscript which was used for the recordings of "Music in America," produced by New Records, Inc.; brochure; correspondence.
Dates:
1951
National Foundation on the Arts and Humanities, 1966
File — Box: 28, Folder: 8
Scope and Contents
Correspondence related to the grant for the Utah Symphony Orchestra in connection with composition and premiere performance of "Concerto for Piano and Orchestra"; brochures, records, and applications.
Dates:
1966
National Foundation on the Arts and Humanities, 1967-1969
File — Box: 28, Folder: 9-10
Scope and Contents
Grant on "Concerto for Piano and Orchestra."
Dates:
1967-1969
National Music Organization
File — Box: 28, Folder: 11
Scope and Contents
Annual meetings.
Dates:
1890s-1990s
Newspaper Clippings, 1937-1970
File — Box: 28, Folder: 12-19
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1937-1970